Artistic alchemy

Despite the long list of flaws Allison Bechdel sees in her father, she can find some admirable qualities in him, including his talent for transformation. The most obvious example of this ability is his restoration of her childhood home, a Gothic mansion that went from lost cause to living museum. He found something rotting and decrepit, saw a spark of potential, and turned that spark into something beautiful. In a way, Allison did the same thing with her relationship with her father by writing Fun Home. She took something that could be seen as random and tragic, and over the course of two-hundred and thirty-two pages, created something cohesive and meaningful. 

In the first chapter of Fun Home, Allison writes of her father's ability to "spin garbage into gold". You could say she does the same thing with her and Bruce's relationship. That comparison might seem harsh, but when summarized, the experiences she shared with her father seem inadequate at best. As a child, she was confused by and afraid of him, and the two enjoyed only brief moments of affection. Later on, Allison begins to learn more about her father, but that understanding is accompanied by perverse truths. Finally, she starts to open up to him, and he begins to reciprocate, but the moment is unsatisfying and quickly followed by his mysterious and tragic death. When he was alive Allison barely knew him, and "ached as if he was already gone."

On that depressing note, the transformation from "garbage" to "gold" takes place after Bruce's death. In this case, "gold" doesn't mean a close father-daughter relationship. That would be difficult to create posthumously. Instead, the transformation is of Bruce from an intimidating, unknowable entity to something explainable, and maybe even understandable. Through photos, letters, and police records, Allison pieces together the course of her father's life, just like Bruce pieced together his home with wallpaper, paint, and tack hammers. Like Bruce saw a glimpse of potential in a pile of rotting wood and shingles, Allison saw a glimpse of a human in her father. But instead of a house, she used that insight to create a story that started with her father and ends, uncertainly, with her.

Allison Bechdel likely had many motivations to transform her father's life into a novel. One might've been gaining understanding, since, as she puts it, "my parents are most real to me in fictional terms". Another could've been the artistic coping techniques taught to her by the environment she grew up in, which she compares to a cold, distant artist's colony. That "artistic's colony" is where she learned to draw, and also where she witnessed and admired her father's "dazzling displays of artfulness". And whether it was taught, observed, or hereditary, Allison picked up her father's gift for transformation and used it to create Fun Home, a beautiful look at a deeply flawed family. 


Comments

  1. Wow, this was a very interesting read. I also found Alison's perception and description of her father interesting - it was much less negative and much more nuanced than one would expect from someone who suffered under borderline abuse and neglect. I think that the way the story was structured and the order of events revealed contributes in an interesting way to our perception of Bruce as well - we find out a lot of small, specific details about him as a father before we find out about his allegations and his death, which would likely normally be the first things to mention. The complexity of Alison's memories with him is as well preserved as is possible in a short book.

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  2. I love this idea; a trope throughout the book itself depicts Alison and her father as very different kinds of artists, with him as a "Victorian" and her as a "modern." He's into decor and embellishment of the surface, she's into getting beneath the surface and revealing underlying truth. But they both ultimately are into structure and coherence, and you're right that Alison is quite explicit about the ways she uses her father's story selectively as "building blocks" to construct her own narrative. Some readers in class bristle at the way she "uses" her father's life and death for "material" in this way, and we can't help but assume that Bruce would probably be pretty upset to learn about this book. But at the same time, we'd assume he'd have to admire the structure itself--and all the literary allusions, drawn from books he gave Alison to read!

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  3. this is an amazing comparison! i hadn't thought of it like this before. i think alison's memoir is museum-like just as the house was, but her process had more purpose

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